P4 THEATER / COLLABORATIVE PRACTICE
P4’s ecology grows as participants initiate projects, collaborate, record their processes and bring theatre into everyday life.
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口死戏剧｜绞肉机
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101剧团｜BODY
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北风剧社｜漩涡
P4 understands co-creation as a rhizomatic social practice: participants move between projects, formulate their own questions and organise actions. The rhizome, drawn from Deleuze and Guattari, is P4’s interpretation of this method. Theatre concerns how people reorganise their lives, relationships and capacity to act; emancipation remains a direction for continuing practice.
The 2024 retrospective describes disagreement alongside responsibility for collective outcomes. Co-creation retains individual credits, judgements and responsibilities. [1]
The 2023 book-and-clothing collection call by Wormhole Theatre and Heimei explicitly names P4 as a co-initiator. The archive preserves the call; delivery outcomes require subsequent records. [8]
Fourth Log’s public catalogue contains 158 uploads and 1,489 parts. Readers can move from a document to a rehearsal, then follow a credited participant into another project. [30]
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口死戏剧
赵轩 initiated Kousi Theatre’s Meat Grinder; his biography also records work in P4’s Romance Theatre and The Last Rehearsal. The 2022 call offers participation as a performer or observer. These are project and participation links. [11] [33] [34] [35] [20] [52] [53] [54]
北风剧社 / 北风戏革
He Fa’s 2022 retrospective records jointly establishing North Wind with Qu Wenhao. The archive connects reading exercises, work across production roles, plans for rehearsals in Hangzhou, a Theatre Jam led by Qu, participant accounts and performance retrospectives. A 2026 programme identifies NINGEN as formerly North Wind Theatre Reform; the group’s own account publishes several recorded versions of Flowers as Animals. [4] [36] [37] [38] [39] [40] [41] [42] [43] [26] [55] [66] [67] [68] [69] [74] [75] [76] [78] [79] [77] [80] [81] [82]
Contemporary texts preserve the individual accounts of Liang Yin, Zhou Boru and Guo Qian. An editorial note records three improvisational workshops led by Liang Yin. [67] [68] [69]
The call names Shen Bolun, Shao Yifan, Qu Wenhao, Jiang Haizhu and He Fa. The announced period is 7 April–6 May; Wang Yuqi’s North Wind joining account follows on 13 April. [74] [40]
A Common Festival cancels the original Tianmuli event and announces a move to Qianjiang Century Park. He Fa’s July retrospective and Qu Wenhao’s November text reflect separately on the residency and collaborative process. [75] [76] [4] [66]
The second-session call publishes images under “First-session discussion and photographs”, showing seated reading and interaction with texts. The date here is the article’s publication date. [42]
Qu Wenhao reflects on collaboration and theatre practice, links back to the Hangzhou residency record, and calls for attention to specific people. [66]
NINGEN uploaded a performance recording on 30 April 2024, a subtitled version on 3 June, and a Moxuyou Factory live version on 8 November 2025. These are upload dates. The local archive also preserves the curtain call and discussion. [78] [79] [77] [82]
The Showcase introduction published by Meng Jinghui Theatre Studio identifies Qu Wenhao as founder of NINGEN, formerly North Wind Theatre Reform, and lists Flowers as Animals among his works. [81]
101剧团
After performing in North Wind’s Iceberg, 徐锦江 formed 101 Theatre with 曹健松. The BODY interview supplies five production credits and describes writing from dialogue and adapting staging with actors. Fourth Log separately records rehearsals at 510. [7] [44] [45] [56] [57] [58]
玻璃剧团
王倾尔’s recruitment text dates the joint founding of Glass Theatre with 王鑫蕊 to 8 May 2021. P4 records her participation in North Wind and published the group’s recruitment and writing. The Glass Menagerie poster lists P4, North Wind and Theatre Public Toilet among its production credits; the online version credits He Fa in performance and production liaison. [6] [46] [4] [50] [62] [63] [64] [65]
P4 republished 王倾尔’s “Write, write, write”; the archived attribution card names both the author and Glass Theatre’s account. [62]
The poster announces a 21 May performance and preserves team, production and space-support credits. This entry records the announcement. [65]
Glass Theatre’s original account published the online version, crediting 王倾尔 for direction, camera and editing and listing performers and collaborators. [63]
虫洞剧团 / 艺术虫洞
Encounter / MEET credits distinguish music, improvisation, visual work and acknowledgements connecting P4 and 101. In 2023, P4 also co-initiated a book-and-clothing collection with Wormhole and Heimei in Daliangshan. [9] [10] [8]
戏剧公厕
Theatre Public Toilet’s call describes support from P4 and North Wind. The Spiral Staircase announcement credits 姜海柱 as director, writer and performer, P4 Theater for production support, and 崇文门外社会服务组织中心 for venue support. A Lidao Radio interview separately records project-specific or episode-specific roles for 姜海柱, 谢欣欣 and 王倾尔. [47] [48] [49] [50] [70] [71] [72] [51] [73]
Jiang Haizhu’s Solo and Theatre call proposes six participants working as performers, writers, directors and one another’s audiences. The six sessions and participant count are announced plans. P4 published and promoted the call. [70] [71]
How Can I Be with You? recalls a previous 26 November performance of Kiss You, Kill Me in Wangjing and mentions He Fa’s presence. The retrospective account remains distinct from the next performance announced in the same text. [72]
The second call reports a first exhibition in a rented room in Wuhan on 20 May 2023, with its initiator also exhibiting, and offers curatorial and documentation support for a second edition. P4 preserves this account; the body does not give a legal name. [51]
Jiang Haizhu introduces 爱、混乱与撕裂人, listing 20 May in Wuhan and 25 May in Beijing. The photographs are preserved as article illustrations; their specific performances are not identified. [73]
Follow documented joint initiation, project development, venue support and participation across projects. Each relationship has dated sources; groups retain their names and founders.
Creation and observation
P4U connects P4’s creative projects with the 3P Group’s documentation and feedback. The roles overlap. The source names Huang Lucang, Zhang Shaohua and He Fa as 3P’s initiators. [2]
2020-12-27｜p4剧场承接发起人的创作，3P小组负责记录观察。
2020-12-27｜当然剧组和3P小组并不完全分离，二者会有交叉。
2020-12-27｜3P小组：由黄麓苍、张绍华、何发三人发起的艺术小组Joint initiation
Qu Wenhao and He Fa established North Wind, according to He Fa’s first-person account. [3] [4]
2021-12-07｜文豪和我就以这九条基本原则向大家发出邀请
2022-07-18｜发起人曲文豪与我后来成立了《北风剧社》
2021-12-07｜绝大部分的组织任务都交给了文豪，后来我也就逐渐淡出了。Project development
The Arena developed from P4X into Purple Action. Shen Bolun, He Fa and Shao Yifan formed the art group, according to He Fa’s 2022 account. [4]
2022-07-18｜在p4X的项目中的《斗兽场》孵化成了《紫色行动》，发起人沈博伦、我和邵逸凡成立了紫色行动艺术小组Support for an independent initiative
Theatre Public Toilet describes support from P4 and North Wind in its recruitment text. Jiang Haizhu is credited as writer and director of Spiral Staircase. [5]
2022-03-18｜在P4剧场和北风戏革（两个破烂儿）的支持怂恿下建立的戏剧假想空间。
2022-03-18｜关于本戏编剧/导演：
姜海柱。A participant starts a new initiative
The 2022 account traces Jiang Haizhu’s participation in North Wind and his independent work through Theatre Public Toilet. [4]
2022-07-18｜姜海柱的《戏剧公厕》、王倾尔的《玻璃剧团》、徐锦江和曹健松的《101剧团》等等都冒了出来，凑巧的是他们都曾参与过《北风剧社》的创作Shared participation
Wang Qing’er participated in North Wind. Glass Theatre’s own account names Wang Qing’er and Wang Xinrui as co-founders and dates its founding to 8 May 2021. These founding credits are retained. [6] [4]
2022-04-07｜我叫王倾尔，是这个戏的导演，也是玻璃剧团的创始人之一，另一位创始人呢，就是我们的海报设计王鑫蕊小姐姐。
2022-04-07｜2021年的5月8号，我和鑫蕊在去资料馆的路上创立了玻璃剧团。
2022-07-18｜姜海柱的《戏剧公厕》、王倾尔的《玻璃剧团》、徐锦江和曹健松的《101剧团》等等都冒了出来，凑巧的是他们都曾参与过《北风剧社》的创作Participants start a new group
After performing in North Wind’s Iceberg, Xu Jinjiang formed 101 Theatre with Cao Jiansong, according to the May 2022 editorial postscript. [7]
2022-05-18｜他在今年的1月1日出演了北风剧社的《冰山》。如今，他与本文的作者曹健松一起成立了他们自己的剧团——101剧团Joint call for a social initiative
A February 2023 call links Wormhole Theatre and Heimei in a book-and-clothing collection for older people and children in Daliangshan. It explicitly names P4 as a co-initiator. The call does not establish final delivery totals. [8]
2023-02-01｜本次活动由P4联合发起
2023-02-01｜于是，有了“虫洞剧团VS黑妹公益计划”，为四川大凉山村寨的留守老人和儿童募集图书和衣物，直接邮寄形式，经黑妹和黑哥负责落地传送。Project collaboration and acknowledgements
Arcsu is credited as writer and director of Encounter. A later announcement thanks He Fa of P4 and CC of 101 Theatre, among others; acknowledgements retain their original scope. [9] [10]
2022-08-18｜我是戏剧《相逢》的编剧兼导演 Arcsu
2022-09-19｜特别鸣谢友情嘉宾：
P4剧场主理人：何发
2022-09-19｜101剧团：CCInitiation and participation across projects
Zhao Xuan initiated Kousi Theatre’s Meat Grinder. His 2023 biography also records co-creation in P4’s Romance Theatre and a musician’s role in The Last Rehearsal. [11] [1]
2023-08-25｜人类投降派 R赵轩——《 “ 北京第一实验 ”》
2023-08-25｜曾发起口死戏剧《绞肉机》，参与共创p4剧场《恋爱戏剧》，在《最后的排练》中是演奏者
2024-05-13｜从 510 走出的剧团有：戏剧公厕、玻璃剧团、虫洞剧团、101 剧团、非戏剧活动、幸福王国、破月剧团、偶发过程、四目、喵喵剧团、北风戏革、口死戏剧、紫色行动等等。A participant connects projects
Huang Meng’s public biography records co-creation in North Wind’s Porphyria, Kousi Theatre’s Meat Grinder and 101 Theatre’s Black Trio. [11]
2023-08-25｜人类投降派 A 黄蒙——《…然后你又变成了小女孩…》
2023-08-25｜曾参与共创北风剧社《波菲利娅》、口死戏剧《绞肉机》、101剧团《黑色三重奏》Venue collaboration and production credits
Broken Moon credits Li Yaxin as writer, Xu Shuai as director and He Fa as supervising producer. Beijing P4 Theater and 321 Space are credited separately as collaborating venues. [12]
2023-11-28｜编剧：李亚鑫
2023-11-28｜导演：徐帅
2023-11-28｜监制：何发
2023-11-28｜合作空间：321空间 北京p4剧场A participant’s continuing practice
Xu Shuai, also named Zichou in the source, participated in Chengfeng Polang, Four Eyes and Kingdom of Happiness, and later directed Broken Moon. [13] [12]
2023-11-27｜他真名叫徐帅，却给自己起了名字叫做子丑
2023-11-27｜他最早 来参与 p4 的是《成风破浪》的项目，后来又参与《四目》、《幸福王国》
2023-11-28｜导演：徐帅Project and activity facilitation
Kingdom of Happiness appears in P4’s calls and archive. The notice for 24 June 2023 names Shi Jiating as facilitator of that activity. [14] [1]
2023-06-22｜带领着：史佳廷
2023-06-22｜活动内容是人体彩绘，使者会引导参与者在脸上用不同的颜色描绘出自己真正的画像，破坏掉原本的大面具。
2024-05-13｜从 510 走出的剧团有：戏剧公厕、玻璃剧团、虫洞剧团、101 剧团、非戏剧活动、幸福王国、破月剧团、偶发过程、四目、喵喵剧团、北风戏革、口死戏剧、紫色行动等等。Independent project and public records
Four Eyes has recruitment texts, participants’ writing and a notice for its 16 April 2023 exchange event. He Fa’s 2024 account places it within the 510 network. [15] [1]
2023-04-09｜事件：《四目》实验话剧交流会
2023-04-09｜时间：2023/4/16（星期日） 19:30
2024-05-13｜从 510 走出的剧团有：戏剧公厕、玻璃剧团、虫洞剧团、101 剧团、非戏剧活动、幸福王国、破月剧团、偶发过程、四目、喵喵剧团、北风戏革、口死戏剧、紫色行动等等。Creative group and retrospective account
…BY ACCIDENT describes a group of artists, architects, designers and theatre directors. He Fa’s 2024 retrospective includes it in the network emerging around 510. [16] [1]
2024-01-29｜偶发过程
...BY ACCIDENT
_
一个由艺术家，建筑师，设计师，戏剧导演等组成的创作小组。
2024-05-13｜从 510 走出的剧团有：戏剧公厕、玻璃剧团、虫洞剧团、101 剧团、非戏剧活动、幸福王国、破月剧团、偶发过程、四目、喵喵剧团、北风戏革、口死戏剧、紫色行动等等。Venue and workshop collaboration
Realm Nexus and P4 circulated a call for an in-person theatre laboratory at P4 in June–July 2021. This source documents the announced collaboration. [17]
2021-06-02｜Realm Nexus连结空间是一个专注于发展个人创作力和个人思想的艺术平台。
2021-06-02｜在今年的六月，我们将走到线下，在北京的p4剧场开展一次时长更长、互动更密集的工作坊活动。
2021-06-02｜时间：2021年6月28日-7月4日（共7天）每天下午3:00-6:00Name in a retrospective
He Fa’s May 2024 account lists Non-theatre Activities among the initiatives emerging around 510. A separate founding account is not yet available here. [1]
2024-05-13｜从 510 走出的剧团有：戏剧公厕、玻璃剧团、虫洞剧团、101 剧团、非戏剧活动、幸福王国、破月剧团、偶发过程、四目、喵喵剧团、北风戏革、口死戏剧、紫色行动等等。Name in a retrospective
He Fa’s May 2024 account lists 喵喵剧团 among the initiatives emerging around 510. This spelling is retained separately from the 猫猫剧团 credit in Fourth Log’s Feedback upload. [1]
2024-05-13｜从 510 走出的剧团有：戏剧公厕、玻璃剧团、虫洞剧团、101 剧团、非戏剧活动、幸福王国、破月剧团、偶发过程、四目、喵喵剧团、北风戏革、口死戏剧、紫色行动等等。158 public uploads and 1,489 parts from Fourth Log. Search projects, names, original titles or part names. Upload dates remain separate from recording dates stated in titles; original credits are retained.
《四目》2023-04-16公演前排练&公演全程记录&演后谈&观众讨论会全程记录（徐帅、庄媛、孟祥武、李诗曼、李亚鑫、p4theater）
《King of happiness》2023-04-18创讨论510全程记录（何发、田昕怡、史佳廷、徐帅联合发起项目）
《Kingdom of happiness》2023-04-04角色构思&游戏设定（何发、徐帅、史佳廷、田昕怡联合发起）
《Kingdom of happinese》2023-04-11方向定位、细节讨论（田心怡、史佳廷、徐帅、何发联合发起）
《四目》2023-04-09排练、走调度、调式灯光、合音乐全程记录-3（孟祥武、徐帅、李亚鑫、李诗曼、何发）
【4log】2023-04-05《恋爱戏剧》fruityspace公映全程记录（发起人：梁吟）
【精神分析】周四研讨班 精神分析中的母亲--加塔利精神分析研讨班临床番外（主讲人：赵炯骐）
《四目》2023-04-02剧本排练510全程记录-2（孟祥武、庄媛、徐帅、李诗曼、李亚鑫、何发）
DJI_0001《四目》2023-04-02剧本排练510全程记录-1（孟祥武、庄媛、徐帅、李诗曼、李亚鑫、何发）
《Kingdom of happiness》2023-03-28项目启动讨论大会-偶剧（史佳廷、田昕怡、徐帅、李亚鑫、何发联合发起）
《kiss you，kill me》27号院社区公演记录后半程片段2023-03-26（姜海柱）
【精神分析】2023-03-23周四加塔利精神分析第三次研讨-无器官的身体（BwO）-流 510全程记录（发起人：赵炯骐）
《四目》2023-03-11发起人&剧组成员见面&剧本围读&蒋嘉麟个人solo和手机片段记录（510全程记录）
《四目》2023-03-06发起人面聊510全程记录 - 4（孟祥武、刘子健、梦夕、冯思远）
510 首映4K纪录片电影《重寻指南针》2023-03-04映后谈全程记录！！！（纪录片导演、制片：恽剑辉）
《四目》20223-03-01发起人和演员面聊-2（510全程记录 发起人：孟祥武）
《成风破浪》2023-02-26 公演全程记录
《成风破浪》2023-02-25 前门剧场舞台美术设计、道具设计（全程记录）
《成风破浪》2022-02-21 Ending采访-1（徐帅、洛旦角赛、恽建辉、史佳廷、小安）
受访者：徐帅、洛旦角赛、恽建辉、史佳廷、小安
《成风破浪》2023-02-20 Ending&讨论510如何开启新篇章
参与者：徐帅、史佳廷、田昕怡、洛旦角赛
《当一个好孩子·告诉爸妈·她想要成为演员》2023-02-19读剧本、讨论、表演（全程记录）
发起人：张蕾 参与者：何发、史佳廷、徐帅、田昕怡、红姐、王怡馨、王雨欣、洛旦、大圣、Ian
《当一个好孩子·告诉爸妈·她想要成为演员》2023-02-18剧本朗读、讨论、试戏（全程记录）
发起人：张蕾 参与者：何发、史佳廷、小安、田昕怡、红姐、王雨馨、Ian
《当一个好孩子·告诉爸妈·她想要成为演员》2023-02-16 剧本修改大讨论 - 2（全程记录）
发起人：张蕾 参与者：何发、史佳廷、徐帅、小安、田昕怡、红姐、灰白、浆果、喵子、王雨欣、洛旦、Ian
《成风破浪》2023-02-15改名、剧本推翻重新讨论架构《当一个好孩子·告诉爸妈·她想要成为演员》-2（全程记录）
发起人：张蕾 参与者：何发、史佳廷、徐帅、田昕怡、灰白、洛旦、Ian
《成风破浪》2023-02-14徐帅实验工作坊（全程记录）
参与者：何发、徐帅、史佳廷、恽剑辉、洛旦、Ian
《成风破浪》2023-02-13肢体动作工作坊、整体思路梳理讨论大会 -2（全程记录）
发起人：张蕾 参与者：何发、松哥、史佳廷、恽剑辉、红姐、灰白、Ian、喵子
《成风破浪》元宵节510第二次见面会全程记录-2（发起人：张蕾 ）2023-02-05
发起人：张蕾 参与者：何发、松哥、喵子、史佳廷、子丑、恽剑辉、小安、榛子、田昕怡、红姐、小梨、Chelsea、梦夕
《成风破浪》元宵节510第二次见面会全程记录-1（发起人：张蕾 ）2023-02-05
发起人：张蕾 参与者：何发、松哥、喵子、史佳廷、子丑、恽剑辉、小安、榛子、田昕怡、红姐、小梨、Chelsea、梦夕
【4log】2022-11-20《恋爱戏剧》男女主角见面会《积极》、《待定》（发起人：梁吟）
【4log】2022-11-04《恋爱局》二分之一问答、感知游戏510手机视频记录 (发起人：梁吟）
【4log】2022-11-06《恋爱局》面试演员、拍卖游戏、内心戏510全程记录（发起人：梁吟）
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-11-01万圣节全员狂欢之夜记录2（赵轩、小e、大老黑、阿蒙、入梦、海柱、昊琳、妙吉、韦磊瑜、刘人工）
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-11-01万圣节全员狂欢之夜记录1（赵轩、小e、大老黑、阿蒙、入梦、海柱、昊琳、妙吉、韦磊瑜、刘人工）
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-30全员全程大联排（赵轩、小e、大老黑、海柱、韦哥、妙吉、昊霖、入梦、阿蒙、观众一川）
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-27排练510记录
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-20排练510全程记录
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-18东湖渠顶楼排练记录（1）
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-15排练、扣剧本细节510全程记录（2）
【510咖啡馆】【4log】口死戏剧2022-10-03《绞肉机》环境戏剧、上街拍练、地铁排练、天台排练
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-15排练、扣剧本细节510全程记录（1）
【510咖啡馆】【4log】口死戏剧《绞肉机》2022-10-11排练510全程记录
【510咖啡馆】【4log】口死戏剧2022-09-30《绞肉机》环境戏剧，街头即兴、马路排练、KTV唱歌全程记录、手机记录片段（发起人：赵轩）
4log，手机记录片段
【510咖啡馆】【4log】口死戏剧2022-09-28《绞肉机》围聊剧本、排练记录（发起人：赵轩）
【510咖啡馆】【4log】口死戏剧2022-09-25《绞肉机》排练510记录（发起人：赵轩）
【510咖啡馆】【4log】口死戏剧2022-09-22《绞肉机》排练510记录（发起人：赵轩）
【510咖啡馆】【4log】口死戏剧2022-09-10《绞肉机》中秋节、教师节闲聊，演员试戏记录（发起人：赵轩）
【510咖啡馆】【4log】口死戏剧2022-09-01《绞肉机》排练读剧本、试戏记录（发起人：赵轩）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220823公演前排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220823公演前排练全程记录2（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220823公演前排练全程记录2（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220823公演前排练全程记录2（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】101剧团《BODY》20220821排练510全程记录（发起人：曹建松 演员：吴昊、安奚锐）
【510咖啡馆】【4log】101剧团《BODY》20220821排练510全程记录（发起人：曹建松 演员：吴昊、安奚锐）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220819奈宝的生日全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220819奈宝的生日全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》星影空间电影版202208016全程记录（阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》星影空间电影版202208016全程记录（阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220813腾讯深夜酒馆采访、排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220813腾讯深夜酒馆采访、排练全程记录（发起人：曲文豪 演员：阿蒙、入梦） 腾讯深夜酒馆的编剧和导演来510共同体采访510共同体的演员、编剧、发起人（姜海柱、曲文豪、入梦、曹建松、阿蒙、），之后腾讯深夜酒馆的编剧和导演观看 Porphyria's Lover 3.0 现场排练
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220808排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG 【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220808排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220807全天排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG 【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220807全天排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】101剧团《BODY》20220809排练全程记录（101剧团：曹健松 演员：吴昊、安奚锐 ）
4LOG 【510咖啡馆】【4log】101剧团《BODY》20220809排练全程记录 【101剧团】导演/编剧：曹健松 演员：吴昊、安奚锐 宣发：徐锦江 视觉/舞美：高鹏飞
【510咖啡馆】【4log】《Porphyria's Lover 3.0》202208012复盘、舞美、灯光设计全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG【510咖啡馆】【4log】《Porphyria's Lover 3.0》202208012复盘、舞美、灯光设计全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》202208011排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG 【510咖啡馆】【4log】《Porphyria's Lover 3.0》202208011排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220809 新演员试戏&排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220809 新演员试戏&排练全程记录（发起人：曲文豪 演员：阿蒙、入梦） 第一个视频是新演员试戏记录，后面的所有视频是波菲利亚排练视频记录
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220805排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220805排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220731演员试戏全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220731演员试戏全程记录（发起人：曲文豪 演员：阿蒙、入梦）
【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220803排练全程记录（发起人：曲文豪 演员：阿蒙、入梦）
4LOG 【510咖啡馆】【4log】《Porphyria's Lover 3.0》20220803排练全程记录（发起人：曲文豪 演员：阿蒙、入梦 ）
【510咖啡馆】【4log】【波菲利娅】【最终的抉择】《Porphyria's Lover》20220728 排练全程记录
4LOG 【510咖啡馆】【4log】《Porphyria's Lover》20220728 排练全程记录（发起人：曲文豪 演员：阿蒙、张晓熠）
【510咖啡馆】【4log】《Porphyria's Lover》20220727演员试戏全程记录（发起人：曲文豪 演员：楚璃雪、杨云策）
4LOG 【510咖啡馆】【4log】《Porphyria's Lover》20220727演员试戏全程记录（发起人：曲文豪 演员：楚璃雪、杨云策）
【510咖啡馆】【4log】《Porphyria's Lover》20220726排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
4LOG【510咖啡馆】【4log】《Porphyria's Lover》20220726排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
【510咖啡馆】【4log】《Porphyria's Lover》20220724排练全程记录（发起人：曲文豪 演员：入梦 阿蒙）
【510咖啡馆】【4log】《Porphyria's Lover》20220722波菲利亚大战全程记录（发起人：曲文豪 演员：王昊男、徐琪萱）
【510咖啡馆】【4log】《Porphyria's Lover》20220722波菲利亚大战全程记录（发起人：曲文豪 演员：王昊男、徐琪萱）
【510咖啡馆】【4log】《Porphyria's Lover》20220721排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
4LOG 《Porphyria's Lover》20220721排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
【510咖啡馆】【4log】《Porphyria‘s Lover》20220719排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
4LOG《Porphyria‘s Lover》20220719排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
【510咖啡馆】【4log】《Porphyria's Lover》20220718排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
4LOG【510咖啡馆】《Porphyria's Lover》20220718排练全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
【510咖啡馆】【4log】《Porphyria’s Lover》20220716全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
4LOG 《Porphyria’s Lover》20220716全程记录（发起人：曲文豪 演员：阿蒙、吴昊）
【510咖啡馆】【4log】101剧团《为什么不把尸体烧光》510面试全程记录
4LOG【510咖啡馆】【4log】101剧团《为什么不把尸体烧光？》原名《客人来了》编剧、导演-曹建松 101剧团在510咖啡馆试戏记录
【510咖啡馆】《Porphyria》全程记录
《Porphyria》在【510咖啡馆】排练全程记录 发起人：曲文豪 制片人：何发 演员：吴昊、阿蒙
【致命玩笑】【4log】
【p4剧场】【北风剧社】【漩涡】{ 全纪录 }
【510咖啡馆】【p4剧场】《Porphyria》试戏记录（发起人-曲文豪）
【510咖啡馆】【p4剧场】《波菲利娅》试戏记录（发起人-曲文豪）
【p4剧场】X【番茄口袋】联名制作《试戏——我是你爸爸》致敬父亲节！！！
p4theater/p4剧场×番茄口袋×父亲节！！！ 万物皆可记录！！！
《动物农场》2022-6-6排练
就是那个要拍个分手戏 然后小宋演男方 然后小郭演女方 然后我想设定一个诶哟设定一个场景就是 小宋演个渣男啊渣男 然后就在那个比如说毕业的时候，大学毕业 高中毕业的时候 你要去到别的城市了 你就要走 然后呢 你就说让不...然后那个小郭 女方 嗯 就是不想让他走不想分手 ... 对，有动作戏 ... 我俩随性吧 你俩随性吧 随性随性 随性随性 好的啊 321走你!
Read rules, manifestos, calls, participant biographies and retrospectives. Original dates and credits remain intact; historical calls are archival records.
How P4U connects initiators, creative teams and observers.
A first-person account of changing spaces, North Wind, Purple Action and participants’ initiatives.
The group’s self-description, Jiang Haizhu’s credits and support from P4 and North Wind.
Wang Qing’er and Wang Xinrui’s co-founding credits and the account of its founding in 2021.
A documented connection between participation, observation and an independent group.
Read Kousi Theatre’s manifesto alongside the rehearsal records.
Participant biographies connecting Zhao Xuan, Huang Meng, 入梦 and other collaborators across projects.
A joint initiative extending collaboration into everyday social action.
Separate credits for Li Yaxin, Xu Shuai, He Fa and the collaborating venue P4.
He Fa’s 2024 retrospective on groups, projects and shared responsibility around 510.
A call offering both acting and observation, with explicit statements about access.
A creative recruitment text for “one individual”; its rhetoric is not used to identify people.
Six original panels preserve the project title, Kousi credit and historical recruitment materials.
A call connecting reading, debate, expression and physical training.
A chronological compilation of recruitment, participant reflections and audience criticism around the January performance.
An invitation to participate across writing, performance, sound, lighting, installation, publicity and documentation.
Announces the Hangzhou rehearsal process, with a planned month of rehearsals and a May performance.
王宇琪’s joining reflection, with an editorial note, on action and spectatorship.
A Theatre Jam led by 曲文豪, with rules for playing roles, offering criticism and intervening.
A second call includes the first session’s discussion and photographs and retains the actor–audience exchange rules.
An editorial argument about audiences’ creative agency and commercial theatre, presented as the author’s position.
曹健松 discusses dialogue, actors and changes in staging; the closing credits name five contributors.
The 18 August 2022 repost of a BODY performance announcement; most information is image-based and historical.
A literary text by 王倾尔, republished by P4 from 玻璃剧团TheGlassTheater, preserving poetry and everyday writing.
The Art Wormhole call names writing, directing, strings, percussion and improvisational roles.
The announcement separates artists, improvisation guests and acknowledgements involving P4 and 101.
An earlier call specifying support from P4 and North Wind and welcoming several production and participation roles.
The announcement separates directing, acting, poster, technical, production-support and venue credits.
An account of meeting 姜海柱 through Iceberg and his subsequent independent practice.
A Lidao Radio interview naming its host, guests and the production roles for Monologue.
The author describes a Wuhan rented-home exhibition and offers free support for a second edition; the pen name remains unmerged.
A poem credited to 王倾尔, republished by P4 from 玻璃剧团TheGlassTheater on 13 April 2022, extending the group’s written practice.
Qu Wenhao reflects on collaboration and theatre practice, links back to the Hangzhou residency record, and calls for attention to specific people.
Liang Yin’s account of rehearsal and improvisation; the editorial note records three workshops he organised during Vortex rehearsals.
North Wind member Zhou Boru reflects on rehearsal and theatre, with his original credit and the contemporary editorial note.
North Wind member Guo Qian’s rehearsal account describes participation in collective creation alongside daily work.
In November 2022, 姜海柱 announced the 独角与戏剧 workshop for six participants, proposing shared roles as performers, writers, directors and audiences, followed by training and collaborative rehearsal. P4 published and promoted the call.
On 24 November 2022, P4 introduced 姜海柱’s Kiss You, Kill Me and solo-theatre workshop. Its account recalls meeting him at an audition for Iceberg and describes his formation of Theatre Public Toilet and a performance of Spiral Staircase.
An account published in March 2023 recalls a 26 November performance of Kiss You, Kill Me in Wangjing and mentions He Fa’s presence. The same article announces a further Beijing performance for 26 March.
On 21 May 2024, P4 published 姜海柱’s announcement of 爱、混乱与撕裂人, listing performances scheduled for 20 May in Wuhan and 25 May in Beijing, alongside photographs used in the article.
The residency call names five project initiators: Shen Bolun, Shao Yifan, Qu Wenhao, Jiang Haizhu and He Fa. The announced period is 7 April–6 May.
Preserves the original Tianmuli plan: interactive performance, bed theatre, emotional exchange, howling and collected embraces. The event was subsequently cancelled.
Cancels the original Tianmuli event, announces a move to Qianjiang Century Park and names six announced performers.
The programme identifies NINGEN as formerly North Wind Theatre Reform, naming Qu Wenhao and listing Flowers as Animals among his works.